See, when I was a youngster, I could watch whatever I want EXCEPT anything sex. I'm talking every movie I saw, if there was nudity or a sex scene, I didn't get to see it. For a normal kid, they'd just go out and try to find another way to see what the hype was about. I just didn't.
Movies, for me, were, and still are, religion. They're almost sacred. They are how I relate and understand this madcap world, and, as a kid, if your parents say sex is not for you, then sex is not for you. However, I can't just blame my parents for everything, now can I?

The Graduate is a film about a guy who is freshly out of college, he meets a girl, sleeps with her mother, crashes her wedding, steals her away, and they get on a bus and go laughing as all the real adults chase after them. A normal romance film, or film with a romantic button, would cut to black somewhere in the laughter, to show that love and youth will triumph over all. But it doesn't. Instead it ends with their faces relaxing, glancing nervously at each other, but never at the same time, they've just done what they did, and now you can see the words "What now?" flash in both of their minds. Sound of silence plays. And THEN it cuts to black.
Joseph Gordon-Levitt noticed all the romantic gestures and believes in the love and youth winning over all idea, but that wasn't necessarily what he was supposed to take away from the film. Now, what does this have to do with Spider-Man 2?
Well, in Spider-Man 2, it's kind of an opposite idea to (500) Days of Summer (though director Mark Webb did eventually make 2 Spider-Man movies.) In it, Peter spends the film knowing that the woman he loves loves him back, yet, because he's Spider-Man, he must make the "noble" choice of seemingly avoiding her at all costs. On one hand, he crumbles in crippling despair to see Mary Jane kiss, and soon get engaged to, another fella. A fella who, lets face it, is way cuter and handsomer than Peter Parker.

I did this a lot. In some ways I kind of still do this. If I know I like a female, I do everything in my power to convince myself that maybe I don't really like her. I pretend its because I have some form of high purpose to perform, so that is why I must deny myself the pleasures of even walking up and saying "Hi, you look nice!" or "Hello! How are you?" When, in reality, I'm more too scarred to open up about my feelings and think that every gal has a way cuter, more athletic fella already after them. And maybe they did but that is neither here nor there.

Essentially, my thought process was, if I denied any feelings for any female, then eventually that female would come running after me and I would be super cool for showing just how long I could, idk, not have sex?
Now, listen, I'm not trying to beat myself up, nor am I denouncing any of the brilliance that is Spider-Man 2. I just think about concepts I understand now that didn't compute to me then. Like how nobody can read your mind so you gotta try to communicate your ideas to another person so they can have those ideas. Like a girl who has no idea you exist will never love you. Not because she doesn't have the capacity to, she just doesn't know that you have any interest in her. (Revolutionary concept I know.) Also, there's nothing noble about sitting in your own sadness and smelling it. All it does it make you more sad.
